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This style is sometimes categorised as part of the " old-style" of serif fonts (from before the eighteenth century). The roman style of Plantin was loosely based on a metal type created in the late sixteenth century by the French artisan Robert Granjon and preserved in the collection of the Plantin-Moretus Museum of Antwerp. Compared to Baskerville and Perpetua, the x-height is a larger proportion of the type height. Times is most based on Plantin, but with the letters made taller and its appearance "modernised" by adding eighteenth- and nineteenth-century influences, in particular enhancing the stroke contrast.
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However, all the new fonts have been variants of the original New Roman typeface.Ī digitisation of Times New Roman below the three typefaces originally considered as a basis for the Times project: Perpetua, Baskerville and Plantin. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused it to switch typeface five times from 1972 to 2007. Roman type has roots in Italian printing of the late 15th and early 16th centuries, but Times New Roman's design has no connection to Rome or to the Romans. In Times New Roman's name, Roman is a reference to the regular or roman style (sometimes also called Antiqua), the first part of the Times New Roman family to be designed. After one year, the design was released for commercial sale. The new design made its debut in The Times on 3 October 1932.
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The main change was that the contrast between strokes was enhanced to give a crisper image. Morison proposed an older Monotype typeface named Plantin as a basis for the design, and Times New Roman mostly matches Plantin's dimensions. This matched a common trend in printing tastes of the period. It has become one of the most popular typefaces of all time and is installed on most desktop computers.Īsked to advise on a redesign, Morison recommended that The Times change their text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before.
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It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department. Good luck with your purchase and future use of this font.Times New Roman is a serif typeface. The designer and publisher deserves to be paid for their work, as they have put in the hours and the creativity to produce such an amazing font. Here you will be able to obtain the proper license. If you really want Walter™ and you want to truly own it the legal and safe way, then click here to visit the download and purchase page on. It's just too risky going about finding free fonts online. The benefits of paying for Walter™ are that you get the license, and if you're caught using it illegally there could be some potential legal implications with the publisher of this particular typeface.įurthermore, when searching "free downloads" on Google, most websites will say they have them but these types of offers usually come at a cost - either something like high-pressure sales tactics or getting tricked into downloading malware onto your computer by malicious third parties who want access to all your personal information! It is always best to pay for a premium font rather than trying to find an illegal download. You can find some other great options here on as well that will save you time looking around all over the web. If you want to use Walter™ then I suggest just paying for it and downloading Walter™ HERE. You know the fonts on this site are premium, right? Walter™ is not a free font. For more previews using your own text as an example, click here. Here is a preview of how Walter™ will look. The Walter™ includes the following font families: Plenty of alternates and ligatures are sprinkled throughout the character map. Walter comes in all popular font formats, and sports an extended character set that covers the majority of Latin-based languages. Walter is clean and legible free-flowing calligraphy with a subdued, conservative and traditional letterform base that can be used in large sizes for posters, covers and packaging, as well as in small sizes for personalized letters, poetry and quotables. This broad pen classic is a revival of Walter MacKay’s Heritage font, made for ATF in 1952.
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